‘Babes’ Movie Review: Pamela Adlon Presents a Hilariously Unfiltered Look at Pregnancy and Female Friendship
In “Babes,” directed by Pamela Adlon, the comedic duo of Ilana Glazer and Michelle Buteau dive headfirst into the messy yet marvelous journey of pregnancy and friendship.
When it comes to R-rated pregnancy comedies, Judd Apatow’s “Knocked Up” might be the first to come to mind. However, in “Babes,” co-creator of “Broad City” Ilana Glazer and stand-up comedian Michelle Buteau take the helm with a raunchy yet sophisticated approach to the same theme.
Directed by Pamela Adlon, known for her work on “Louie” and “Better Things,” “Babes” boldly embraces its title, reclaiming the term with irreverent humor. The film follows lifelong friends Eden (Glazer) and Dawn (Buteau) as they navigate the trials and tribulations of pregnancy, all while maintaining their unapologetically foul-mouthed camaraderie.
From the outset, “Babes” sets itself apart as a refreshingly honest portrayal of motherhood. Glazer and co-writer Josh Rabinowitz spare no detail, delving into every bodily function and fluid associated with pregnancy. Yet, amidst the crude humor, the film celebrates the miraculous experience of growing another human being.
Premiering at the SXSW Film Festival, “Babes” delivers laughs aplenty, reminiscent of comedy classics like “Bridesmaids.” However, where it falls short is in its avoidance of deeper conflict. The film’s unwavering positivity, while empowering politically, occasionally undermines its dramatic impact by sidestepping potential challenges.
The heart of “Babes” lies in the bond between Eden and Dawn, tested as they face the trials of impending motherhood. Glazer and Buteau shine in their roles, embracing the messy reality of pregnancy with unabashed humor and vulnerability. As their friendship weathers the storm of back-to-back pregnancies and unforeseen complications, the film champions their unwavering support for each other.
While “Babes” may not offer groundbreaking insights into the female experience, its unabashed celebration of womanhood is both refreshing and riotously funny. Adlon’s direction brings a unique blend of wit and warmth to the screen, ensuring that “Babes” delivers belly laughs alongside its heartfelt message.
In the end, “Babes” may not be the most profound exploration of pregnancy and friendship, but its unapologetic humor and candid portrayal of the female body make it a delightfully irreverent ride.